2015年东方卫视以喜剧调侃的形式弘扬社会正能量的节目，由上海知名主持人陈蓉 担任制片人并主持。

2015年东方卫视以喜剧调侃的形式弘扬社会正能量的节目，由上海知名主持人陈蓉 担任制片人并主持。

作为《这是我的岛》衍生节目，节目以海岛生活指南为主题，展示少年们在海岛中逐渐掌握衣食住行的基本生活要领，从不习水土到得心应手，逐渐在挑战中实现自我成长；从“吃喝拉撒”到建设“我的岛”，少年们在海岛上如何学习和生存，集体生活的背后，遇到过哪些个人难题和困惑，节目中会展现温暖的海岛生存群像以及有趣闲暇的时光切面。

田厚德曾担任过村党支书，生性耿直，深爱土地，为保护良田，代表村民多次向县、市纪委反映乡镇领导刘乾坤非法侵占集体大量土地、以权谋私、贪污腐化的问题，因而种下了祸根。八十年代初，田厚德一家承包了九亩责任田，由于当时的农资化肥不断涨价，而粮价又不断下跌，种田的日子并不富裕，加之女儿田英出嫁，又添上了新债。田厚德的三个儿子纷纷不满现状，认为种地穷不划算，要求独立门户，各找出路。最后，田厚德这个大家庭，分成了三个小家庭。三个小家庭各自的命运坎坷，接二连三的遭到打击，田厚德已经意识到种种祸害的根源。一年又一年过去了，但他仍然坚持举报腐败分子。后来，终于揪出了副县长刘乾坤等一批腐败分子！随着这批犯罪分子的一一伏法！田三也走出了监狱的大门。田厚德靠对土地的热爱，守住了农民的根。

该剧是一部传记体电视剧，以全国著名劳动模范、全国人大常委、河南省新乡县七里营乡刘庄村党委书记史来贺的事迹及刘庄村脱贫致富的历史为依据创作，按照共和国农村45年的岁月变迁，运用积累式的纪实手法拍摄而成。该剧获第十五届“飞天奖”长篇电视剧二等奖、第四届精神文明建设“五个一工程”奖等奖项。 　　史来贺是一名共产党员，一直怀抱着让广大农民过上丰衣足食的生活的朴素理想。在他的带领下，同村农民共同奋进，让一个昔日全是盐碱地、蛤蟆窝的穷村庄变成了“中原首富”，实现了物质文明和精神文明的齐头发展，自改革开放以来，为国家创利税十多亿元。

本片讲述了金华市新农村文化建设背景下，新一代农民追求文化、追求幸福的故事。影片以轻喜剧的形式，反映当前农村文化生活中涌现出的一些生动有趣的故事，通过城乡观念的碰撞，新思想与旧思想的冲突，落后人物的转化与进步，着力刻画了以女主人公杨杨为代表的文化志愿者们矢志不渝，锐意进取，积极投身农村文化建设的工作热情和智慧；展现“种文化”给农民带来的幸福生活……

本片讲述了金华市新农村文化建设背景下，新一代农民追求文化、追求幸福的故事。影片以轻喜剧的形式，反映当前农村文化生活中涌现出的一些生动有趣的故事，通过城乡观念的碰撞，新思想与旧思想的冲突，落后人物的转化与进步，着力刻画了以女主人公杨杨为代表的文化志愿者们矢志不渝，锐意进取，积极投身农村文化建设的工作热情和智慧；展现“种文化”给农民带来的幸福生活……

片名 五亿农民的方向 　　编导 刘文渺 　　摄影 张永 　　影片本数 2 　　色别 黑白 　　出品年 1955 　　拍摄单位 新影 　　内容简介 　　河北省安平县南王庄，一个只有六户的合作社，三户中农退社，三户贫农坚持办社。他们缺少农具，困难很多。但他们辛勤劳动，互相帮助，克服了种种困难。县政府给他们帮助，银行发放贷款，他们买了一辆大车。集体的劳动，使他们的土地获得了丰收，原来退社的农户要求回来，还有不少农户要求入庄。毛主席《关于农业合作化问题》的报告到了村，就在这个报告里，毛主席提到了河北省坚决办社的三户农民。毛主席说：这三户贫农所表示的方向，就是全国五亿农民的方向。

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.